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Film Analysis: Band Frontman Jason Williamson Assumes Role in Sceptical Examination at 90s Rave Culture

Produced by Portishead co-founder Geoff Barrow, this scabrous if undernourished debut feature turns a sceptical eye on 90s rave culture. Venal pillhead David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to burgle his own parents. In no time, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the rave-era youth were mainly focused on themselves – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, enraged after David strangles his dog. Still, a darkly funny standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of scrumpy, determined to soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Vibe

There is only one key story turn, but it leads to a hilariously staged rampage on the woodland paths that veers toward rural terror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.

The film releases in British and Irish cinemas from 17 November.

By

Steven Smith

Marcus Thorne is a seasoned political journalist with over 15 years of experience covering Canadian politics, known for his in-depth analysis and conservative viewpoints.

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